Issue 8 of Cinema: Journal of Philosophy and the Moving Image on Marx’s philosophy, which Mike Wayne (Brunel University London) and I have edited, has now finally been published, dated December 2016. The contents may be consulted, read, and downloaded here:
“Editorial: Film Through Marx, Our Contemporary”, Michael Wayne and Sérgio Dias Branco
Articles:
“Cinema Violence and the Ontology of Capitalism”, Se Young Kim (Vanderbilt University)
“From Binary to Rich Dialectics: The Revolt of the Fishermen and Mauser”, Angelos Koutsourakis (University of Leeds)
“From Barton Fink to Hail, Caesar!: Hollywood’s Ghosts of Marxist Past”, Cam Cobb and Christopher J. Greig (University of Windsor)
“Making Films Negatively: Godard’s Political Aesthetics”, Jeremy Spencer (Camberwell College of Arts - University of Arts London)
“The View from Below: Film and Class Representation in Brecht and Loach”, Keith O’Regan (York University)
“For Marx: The New Left Russian Cinema”, Marijeta Bozovic (Yale University)
Interview:
“‘Another kind of primitive dream’: Interview with Apichatpong Weerasethakul”, by Susana Nascimento Duarte (IFILNOVA) and José Bértolo (CEC - University of Lisbon)
Book Reviews:
“Lukácsian Film Theory and Cinema: A Study of Georg Lukács’ Writings on Film 1913-71”, Stefanie Baumann (IFILNOVA)
“Understanding Sound Tracks Through Film Theory”, Nick Poulakis (National and Kapodistrian University of Athens)
“Cinema of Simulation: Hypereal Hollywood in the Long 1990s”, Jorge Martins Rosa (NOVA)
“Mismatched Women: The Siren’s Song Through the Machine”, Najmeh Moradiyan Rizi (University of Kansas)
“Literatura e Cinema. Vergílio Ferreira e o espaço do indizível”, Ana Bela Morais (CEC - Universidade de Lisboa)
“Cinema El Dorado – Cinema e Modernidade”, José Bértolo
Conferences Report:
“Capitulation to Cool?: Thoughts on Conferences 2015-2017”, William Brown (University of Roehampton)
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