Cinema 10

12.03.2019


The tenth issue of Cinema: Journal of Philosophy and the Moving Image on painting, moving images, and philosophy, edited by Susana Viegas and James Williams, is now available online with the publication date of December 2018. The contents may be consulted, read, and downloaded here:

Articles:

“Painting at the Beginning of Time: Deleuze on the Image of Time in Francis Bacon and Modern Cinema”, David Benjamin Johnson (School of the Art Institute of Chicago)

“‘Each Single Gesture Becomes a Destiny‘: Gesturality between Cinema and Painting in Raúl Ruiz’s L’Hypothèse du tableau volé”, Greg Hinks (Trinity Hall, University of Cambridge)

“Whither the Sign: Mohammed Khadda in Assia Djebar’s La Nouba des femmes du Mont Chenoua”, Natasha Marie Llorens (Columbia University)

“Manet and Godard: Perception and History in Histoire(s) du cinéma”, Pablo Gonzalez Ramalho (Federal University of Rio de Janeiro)

“A Work of Chaos: Gianluigi Toccafondo’s Animated Paintings”, Paulo Viveiros (Lusofona University)

“Ill Seen, Ill Said: The Deleuzian Stutter Meets the Stroop Effect in Diana Thater’s Colorvision Series (2016)”, Colin Gardner (University of California, Santa Barbara)

“Blue Residue: Painterly Melancholia and Chromatic Dingnity in the Films of David Lynch”, Ed Cameron (University of Texas, Rio Grande Valley)

Interview:

“Interview with Jonathan Beller: The Derivative Image: Historical Implications of the Computational Mode of Production”, by Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA)

Book Reviews:

Acinemas: Lyotard’s Philosophy of Film”, Brian Thomas Walker (The State University of New York at Buffalo)

Pedro Costa”, Susana Viegas (IFILNOVA/Deakin University)

The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness”, Paolo Stellino (IFILNOVA)

Philippe Grandrieux: Sonic Cinema”, Arzu Karaduman (Georgia State University)

The Cinema of Poetry”, Maria Irene Aparício (NOVA-FCSH/IFILNOVA)

Animation Cinema Workshop: From Motion to Emotion”, Catarina Calvinho Gil (NOVA-FCSH)

Art History for Filmmakers: The Art of Visual Storytelling”, Maria Irene Aparício (NOVA-FCSH/IFILNOVA)

Conference Report:

“Notes on Creative Practice Research in the Age of Neoliberal Hopelessness, University of Bedfordshire, UK, 10-12 May 2018”, William Brown (University of Roehampton)

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