Duas Horas na Vida de Uma Mulher (Cléo de 5 à 7, 1962).
Sessões do Carvão — O Cinema Falado:
Extinção (2018) + Coup de Grâce (2017) / Salomé Lamas
18.03.2019
Conversations with Stanley
17.03.2019
My “Conversations with Stanley”, written for Forma de Vida, the journal of the Program in Literary Theory of the School of Arts and Humanities of the University of Lisbon, is now online. It is part of the latest issue, which pays tribute to philosopher Stanley Cavell (1926-2018).
The complete issue includes articles by Nancy Bauer (Tufts University), Alice Crary (University of Oxford/The New School), Sandra Laugier (University of Paris 1 Panthéon-Sorbonne), Christopher Benfey (Mount Holyoke College), Lindsay Waters (Harvard University Press), Brett Bourbon (University of Dallas), Lawrence Rhu (University of South Carolina), Miguel Tamen (University of Lisbon), Robert Pippin (University of Chicago), James Conant (University of Chicago), and Nuno Venturinha (Nova University of Lisbon). It is available here.
Encontros no ANIM 2019
14.03.2019
© Colecção da Cinemateca Portuguesa - Museu do Cinema.
Os Encontros no ANIM começaram no ano passado e continuam este ano. Tal como na primeira edição, integro com muito gosto a Comissão Científica deste evento que é fruto do empenho do actual Director do ANIM, Tiago Baptista. Informações detalhadas aqui.
Ten Issues of Cinema
12.03.2019
We were in the beginning of 2010 when the journal began to take shape at IFILNOVA - Nova Institute of Philosophy. It had been born of a conversation between me and Patrícia Silveirinha Castello Branco still in 2009. Susana Viegas joined us as the third editor soon after. We decided to associate an evocative image of a furtive gaze from Manoel de Oliveira’s Past and Present (O Passado e o Presente, 1972) with the journal. The tenth issue has been published recently. It is a good time to celebrate the longevity and quality of this project, which had a major international impact from the start that only grew with time. It seems that our intuition was right: there was room for a pluralist journal on philosophy and the moving image that avoids the simplistic opposition between analytical and continental philosophy and is structured as a series of thematic issues. We have counted on the precious help and cooperation of Susana Nascimento Duarte, Maria Irene Aparício, and William Brown, in the editing of non-thematic sections. My thanks go especially to all the authors for their articles, which formed the core of each issue. I am deeply grateful to Patrícia and Susana for this intellectual adventure. Today, we can look at Cinema: Journal of Philosophy and the Moving Image and see this past in a present loaded with future. Check it out here.
Cinema 10
12.03.2019
The tenth issue of Cinema: Journal of Philosophy and the Moving Image on painting, moving images, and philosophy, edited by Susana Viegas and James Williams, is now available online with the publication date of December 2018. The contents may be consulted, read, and downloaded here:
Articles:
“Painting at the Beginning of Time: Deleuze on the Image of Time in Francis Bacon and Modern Cinema”, David Benjamin Johnson (School of the Art Institute of Chicago)
“‘Each Single Gesture Becomes a Destiny‘: Gesturality between Cinema and Painting in Raúl Ruiz’s L’Hypothèse du tableau volé”, Greg Hinks (Trinity Hall, University of Cambridge)
“Whither the Sign: Mohammed Khadda in Assia Djebar’s La Nouba des femmes du Mont Chenoua”, Natasha Marie Llorens (Columbia University)
“Manet and Godard: Perception and History in Histoire(s) du cinéma”, Pablo Gonzalez Ramalho (Federal University of Rio de Janeiro)
“A Work of Chaos: Gianluigi Toccafondo’s Animated Paintings”, Paulo Viveiros (Lusofona University)
“Ill Seen, Ill Said: The Deleuzian Stutter Meets the Stroop Effect in Diana Thater’s Colorvision Series (2016)”, Colin Gardner (University of California, Santa Barbara)
“Blue Residue: Painterly Melancholia and Chromatic Dingnity in the Films of David Lynch”, Ed Cameron (University of Texas, Rio Grande Valley)
Interview:
“Interview with Jonathan Beller: The Derivative Image: Historical Implications of the Computational Mode of Production”, by Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA)
Book Reviews:
“Acinemas: Lyotard’s Philosophy of Film”, Brian Thomas Walker (The State University of New York at Buffalo)
“Pedro Costa”, Susana Viegas (IFILNOVA/Deakin University)
“The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness”, Paolo Stellino (IFILNOVA)
“Philippe Grandrieux: Sonic Cinema”, Arzu Karaduman (Georgia State University)
“The Cinema of Poetry”, Maria Irene Aparício (NOVA-FCSH/IFILNOVA)
“Animation Cinema Workshop: From Motion to Emotion”, Catarina Calvinho Gil (NOVA-FCSH)
“Art History for Filmmakers: The Art of Visual Storytelling”, Maria Irene Aparício (NOVA-FCSH/IFILNOVA)
Conference Report:
“Notes on Creative Practice Research in the Age of Neoliberal Hopelessness, University of Bedfordshire, UK, 10-12 May 2018”, William Brown (University of Roehampton)
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Cinema: Journal of Philosophy and the Moving Image: 1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9
Dia Internacional da Mulher 2019
07.03.2019
E Agora, Onde Vamos?.
Hoje, dia 7, véspera do Dia Internacional da Mulher, às 21h15, o Centro de Artes e Espectáculo mostra o filme libanês E Agora, Onde Vamos? (Et maintenant on va où?, 2011), realizado por Nadine Labaki, numa sessão de cinema gratuita. O filme foi uma proposta minha em resposta ao convite que o Grupo Unitário de Mulheres da Figueira da Foz me tem dirigido todos os anos. À projecção seguem-se os comentários de uma mesa que integro com a vereadora Mafalda Azenha (PS), a escritora Isabel Tavares, a deputada municipal Margarida Fontoura (PSD), e a dirigente do MDM - Movimento Democrático de Mulheres, Libânia Pires, e do público.
4.ª Feira Clássica: O Homem da Manivela
04.03.2019
O Homem da Manivela.
Na próxima quarta-feira, às 21h, estarei no Centro Paroquial de Cantanhede para apresentar o soberbo O Homem da Manivela (The Cameraman, 1928), realizado por Edward Sedgwick e Buster Keaton. Estas programação de filmes clássicos é fruto do trabalho do Vasco Otero e congrega diversos apoios da cidade.
A sessão inclui ainda Viagem à Lua (Le Voyage dans la lune, 1902), dirigido por Georges Méliès, que também será musicado ao vivo e contará com uma breve apresentação minha. Venham.
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