Cinema 2


The second issue of Cinema: Journal of Philosophy and the Moving Image, which I co-edit with Patrícia Silveirinha Castello Branco and Susana Viegas, has been published today. The contents may be consulted, read, and downloaded here:


“The Philosophy of Film and Film as Philosophy”, Tom McClelland (University of Sussex)

“Layering Images, Thwarting Fables: Deleuze, Rancière and the Allegories of Cinema”, Agustin Zarzosa (Purchase College, SUNY)

“The Twilight of the Index”, Temenuga Trifonova (York University)

“Semiotic Images”, Flore Chevaillier (Central State University)

“‘Biopolitics on Screen’: Aernout Mik’s Moving-Image Installations”, Gabriella Calchi-Novati (Trinity College Dublin)

“Para uma Teoria do Cliché”, Leonor Areal (New University of Lisbon /School of Fine Art and Design, Polytechnic Institute of Leiria)

“Técnicas Cinematográficas e Actos Mentais: ‘The Photoplay’ de Hugo Münsterberg”, Teresa Pedro (Berlin Institute of Technology/New University of Lisbon)


“Merleau-Ponty e o Pensamento do Cinema”, Mauro Carbone (Jean Moulin University - Lyon 3), trans. Débora Quaresma and Davide Scarso


“Questions for Jacques Rancière Around His Book Les écart du cinéma” [ENG.]/“Questions à Jacques Rancière autour de son livre Les écart du cinéma” [FR.], by Susana Nascimento Duarte (New University of Lisbon)

Conference Report:

“Film-Philosophy Conference (Liverpool John Moores University, 6-8 July 2011)”, William Brown (University of Roehampton)

Book Reviews:

cem mil cigarros: Os Filmes de Pedro Costa”, Iván Villarmea Álvarez (University of Zaragoza)

Magníficas Obsessões: João Bénard da Costa, um Programador de Cinema”, Paulo Cunha (University of Coimbra)


Cinema: Journal of Philosophy and the Moving Image: 1